Glasses and sunglasses are all reflections — lenses catch the studio, frames catch dust and fingerprints. We control lens glare, clean frames and hinges, and keep coatings and tints true so every pair looks premium online.
Get a Free Test Edit View PortfolioGlasses and sunglasses are all reflections — lenses catch the studio, frames catch dust and fingerprints. Every image is retouched by hand for a premium, true-to-life finish that sells.
Studio reflections removed while keeping tints natural.
Clean metal and acetate with no dust or smudges.
Mirrored and gradient lenses rendered accurately.
Eyewear is mostly glass and polished acetate, which means it reflects the studio, the camera and the photographer. Getting rid of that without killing the lens is the craft.
Softboxes, tripods and the photographer are cleared from both lenses. What stays is a controlled highlight that tells the customer the lens is glass, not a flat grey fill.
Gradient, mirrored, polarised and photochromic lenses each carry a specific tint. We match the real density and colour so a sunglass customer gets what the photograph promised.
Temples are aligned, the frame is straightened, and acetate, metal and rimless joints are cleaned. Hinge screws, nose pads and logo etching stay sharp at thumbnail size.
A light grounded shadow keeps the frame from floating, then a second retoucher matches angle, scale and tint across every colourway in the run.
Shot flat, angled, folded, on stand or on model — including full colourway ranges from a single master frame.
Eyewear ranges usually ship with background removal, shadow creation and colour correction, ready for Amazon or Shopify. Clear lenses often need image masking rather than a hard path. Accessory brands also send watches, handbags and jewellery in the same batch.
Yes — controlled lens-reflection removal is central to eyewear retouching, keeping tints and coatings realistic.
Yes — we preserve mirror and gradient effects while cleaning distracting studio reflections.
We remove dust, fingerprints and smudges from both metal and acetate for a premium finish.
Yes — send one pair and we'll retouch it free so you can judge the quality.
Yes. Studio reflections, tripods and the photographer are removed from both lenses, while a controlled highlight is kept so the lens still reads as glass rather than a flat panel.
Yes. Optical frames are masked rather than cut with a hard path, so the background shows through the lens at the correct density and the frame still looks wearable.
In many cases yes. If the frame shape is identical across colourways we can build the range from one master image, matched to your physical samples. We will tell you when a re-shoot is genuinely needed.
Standard turnaround is 24 to 48 hours, with full collections scheduled in batches at an agreed daily volume.
See our quality risk-free — no commitment, no card.