Wrong colour means returns and lost trust. We correct white balance, exposure and tone so your product's colour on screen matches the real thing — consistently, across every SKU and every shoot.
Get a Free Test Edit View PortfolioWrong colour means returns and lost trust. Every image is retouched by hand for a premium, true-to-life finish that sells.
On-screen matches the real product — fewer returns.
Every SKU balanced for a clean catalogue.
New batches matched to your existing look.
Customers cannot touch your product. Colour is the one promise your photograph makes, and it is the promise most often broken between screen and doorstep.
We correct against your physical swatch, Pantone reference or a supplied sample file, rather than guessing from the camera file. Cameras rarely record fabric or metal colour accurately.
Mixed studio and daylight leaves casts that tint the whole frame. We neutralise the cast without stripping the warmth that makes a product look inviting.
The same product shot on three days under three lighting setups must arrive as one colour. We match across angles, variants and entire seasons.
Delivered in sRGB for web and marketplaces, or Adobe RGB and CMYK for print, so what you approve is what actually publishes.
Correction first so the product is accurate, then optional grading so the set carries your brand look.
Colour correction is the first step of most jobs and usually ships with background removal, clipping paths and shadow creation inside full product photo editing. Shooting large volumes? See photo culling to cut the set down before editing begins.
Wrong colour drives returns and erodes trust; accurate colour correction keeps the online image true to the product.
Yes — cross-shoot consistency keeps your catalogue uniform over time.
We can prepare colour for both screen and print profiles.
Yes — send 5 images for a free test edit.
Yes. Send the Pantone code, a swatch photo shot alongside a grey card, or an approved reference file. We correct to that target and hold it across the whole set.
Yes, and RAW gives the best result. There is far more recoverable highlight and shadow detail in a RAW file than a JPEG, which matters most on white backgrounds and dark products.
Yes. This is one of the most common requests. We build a reference from your approved image and match later batches to it, so a catalogue shot over weeks still looks like one session.
Yes. Web files come in sRGB, and print files in Adobe RGB or CMYK with soft proofing on request, so colour holds from screen to press.
See our quality risk-free — no commitment, no card.